The 19th episode of Sangatsu season two tried its best to enhance the backstory of two characters, however, it ultimately fell flat due to its constantly shifting tone and unwillingness to commit.
Rei takes a break to help out (Photo credit: http://3lion-anime.com/story/41.html)[/caption]
This isn’t the first time this has happened. It’s a real shame, as Akari and her sisters are very interesting characters, but they’re being deprived of any real character growth. The writers did attempt to shoehorn a moral lesson into the end of the first half (“Enthusiasm isn’t enough: you also need experience”), but it’s hard not to feel as though this was rushed.
These dark-palleted and serious scenes are intermixed with shots of Hina designing sweets for her and her sisters to make. It seems the intention was to highlight the differences between a child with a passionate interest in something, and one without, but the end result was that Takagi’s scenes suffered and became much harder to take seriously.
A Snail’s Pace
No one has ever complained that Sangatsu no Lion moves too quickly. This isn’t necessarily a bad thing: my generation grew up on ten-episode-long fights in Dragonball Z and loved every moment, for instance. However, this molasses-slow pacing leaves a bitter taste in the mouth when the first five minutes of an episode are devoted to a step-by-step recipe for rice flour dumplings. [caption id="attachment_8919" align="aligncenter" width="720"] Rei takes a break to help out (Photo credit: http://3lion-anime.com/story/41.html)[/caption]
This isn’t the first time this has happened. It’s a real shame, as Akari and her sisters are very interesting characters, but they’re being deprived of any real character growth. The writers did attempt to shoehorn a moral lesson into the end of the first half (“Enthusiasm isn’t enough: you also need experience”), but it’s hard not to feel as though this was rushed.
Tonal Whiplash
The episode’s second half dealt with Chiho’s bully, Takagi. Without any evidence, she cannot be punished, so her homeroom teacher resigns himself to giving her advice instead. The problem with Takagi is that she’s stubborn. We’ve seen her refuse to admit fault, and even continue to harass characters even after it’s made painfully obvious that she’s responsible for Chiho leaving. As such, it’s entirely possible she won’t listen, and may in fact, get worse, just to spite her old teacher.
These dark-palleted and serious scenes are intermixed with shots of Hina designing sweets for her and her sisters to make. It seems the intention was to highlight the differences between a child with a passionate interest in something, and one without, but the end result was that Takagi’s scenes suffered and became much harder to take seriously.